THE XENOTEXT (BOOK 2)
‘Christian Bök is going to outlive civilization, outlive most of the biosphere itself.’
— Peter Watts
Book 2 of The Xenotext situates poetry within the deep time of the cosmos, striving to create a poem that might persist upon the surface of the Earth, enduring until the death of the Sun itself. Our civilization has only very limited methods for preserving its cultural heritage against a potential planetary disaster (be it an atomic battle or a meteor impact); however, this experiment rehearses the techniques likely to be used in the future to preserve our archives against such annihilation, revealing that, buried within the biochemistry of life itself, there really does exist a poetic lesson that might teach us to protect our most insightful epiphanies from oblivion.
EPHEMERA FROM THE LIMITED EDITION
Download work from the special version of The Xenotext (Book 2): an edition of 27 signed copies (with additional, unlettered copies for contributors):
All the Bright Tokens (Derek Beaulieu)
Andor Encode It in a Helix of DNA (Darren Wershler)
Be All My Sins Remembered (Sarah Ridgley)
Cursive Binary – Helix (Sasha Stiles)
DNA – Hymn in My Hand (Anthony Etherin)
Eurydice (Danielle King)
Eurydice Listening (Suzanne Zelazo)
Four Artworks (Ross Goodwin)
Like Knights Passing Out on a Ship (Charles Bernstein)
Ode and Sun (Nick Montfort)
Orpheus and Eurydice (Derek Beaulieu)
Ozymandias (Percy Bysshe Shelley)
Primordial (Ana María Caballero)
Repetae – Helix (Sasha Stiles)
Sequelae (Helen Hajnoczky)
Some Infinities Are Smaller Than Others (Nick Thurston)
That Which Is Creative Must Create Itself (Simon Morris)
The Crown (Gregory Betts)
The Great Oxygenation Event (Adam Dickinson)
The Great Silence (Ken Hunt)
The Masque of the Red Death (Edgar Allan Poe)
The Xenotext (Christian Bök)
The Xenotext – Specimen (Christian Bök)
Two Sonnets (A. E. Stallings)
X?!!! (Nasser Hussain)